National Maritime Museum collections blog
Cleaning and reinterpretation of Miss Britain III
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May 21st, 2012

As part of the redevelopment of Neptune Court, right at the heart of the National Maritime Museum, the iconic power boat Miss Britain III has been the subject of a great deal of attention from the conservation team.

Miss Britain III (BAE0064)

Miss Britain has always been of interest to me as she was built in my home city of Southampton. In 1933 she competed in the Harmsworth Trophy and later that year became the first boat to break the 100mph barrier. Despite approaching her 90th birthday she still shines in the sunlight and draws lots of attention from visitors.

During the first phase of the redevelopment Miss Britain was removed from her old stand, allowing better access for the conservation team, whilst awaiting her new stand. This allowed the Museum’s metals conservators to gain access and work on the gearbox which had been previously difficult.

Following on from this work, my colleague Fay, and I gave her the most thorough clean which has been possible for some years. Although she is cleaned nearly every week on the outside, the inside is usually out of reach. This clean largely consisted of removing dust, which was a loose covering outside, but thick and more compacted inside the boat. This is important to remove for several reasons. Firstly it affects the appearance of the object, making it dull and less eye-catching to visitors. Secondly, the dust can cause chemical or physical damage through abrasion or retaining moisture.

On the outside, the aluminium bodywork was cleaned with soft cloths and hogs hair brushes. This involved a detailed brushing out of every rivet and join. It is vital that this is carried out carefully, as any rough action can be abrasive and cause damage to the relatively soft surface. Although painstaking, the end result was excellent to see.

Once the outside had been cleaned it was time to turn our attention to the inside of the cockpit, and this was where the fun really started! Access was a tricky issue, with only two small openings, each with a fragile leather seat underneath. This meant that we had to lean head-first into the seating area, balancing on the wings of the boat and working as quickly and carefully as possible. To ensure that we did not cause damage through this process we had to first pad the wings with acid-free tissue and plenty of bubble wrap.

As the leather of the seats is so old it is quite dried and cracked, and so can only be gently dusted with our softest of goat hair brushes. This is done in conjunction with a low-suction vacuum cleaner to remove the dust leaving the surface of the object undamaged. The large ‘clumps’ of dust along the creases of the seat needed to be removed with tweezers as they were more robust than the surrounding leather at this point, and we found a number of stray sweet wrappers in the foot well as well! It was quite slow work due to the build-up of dust, but satisfying at the same time.

On the dashboard we were surprised to see not one, but two St Christophers, the patron saint of mariners. Seeing these small details on museum objects, although in this case it is something not visible to visitors, is always a pleasure. They give objects like Miss Britain a human story, bringing to mind a young man, unsure of how safe his journey was, placing his faith in the saint to bring him back from the journey.

The St Christophers inside Miss Britain III

Miss Britain III will be moving to her new stand in Neptune Court during May.

Yinka Shonibare, MBE’s Ship in a Bottle
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May 17th, 2012

If you have passed the Museum lately you may have noticed the arrival of a giant ship in a bottle which was formerly located in Trafalgar Square.

A campaign was launched by the Art Fund and the National Maritime Museum at the end of 2011 and successfully raised £362,500 enabling the National Maritime Museum to acquire and permanently display Yinka Shonibare, MBE’s much-loved sculpture.

In order to help explain the meaning behind the sculpture and its new home at the National Maritime Museum we met up with Yinka Shonibare and our very own Simon Stephens.

Nelson’s Ship in a Bottle from National Maritime Museum on Vimeo.

Selecting images for the Curate the Compass Lounge project
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May 16th, 2012

Our Curate the Commons project is moving on apace. Over the past month our participating Flickr users have been “favouriting” and tagging their chosen images. With varied backgrounds and interests everyone has approached this selection process from a different point of view. The next (and potentially trickier) stage will be to narrow down the selection of what goes on display in the Compass Lounge as a group.

Here Nerisha explains her top five picks and why she chose them, we’ve linked all the image titles back to our Flickr photostream:

Two crab-eater seals on the ice, Weddell Sea
Reproduction ID: P00017
Maker: James Francis Hurley
Date: circa February 1915
Materials: Gelatine dry plate
Henley Collection

The contrast of colour between the seals and ice provide something very interesting for the eye. The ice seems to go on forever in the background and gives you a real sense of the environment.


Camel in Kuwait carrying fuel for cooking
Reproduction ID: PM5322-6
Maker: Alan Villiers
Date: 1938

This photo is simply striking, unusual and makes me wonder how far are the man and his camel travelling? How much food will that amount of fuel cook?


A sailor and his accordion on-board the ‘Parma’
Reproduction ID: N61653
Maker: Alan Villiers
Date: 1932–33
Villiers collection

This photograph is interesting as it offers a glimpse of daily life and activities. I like the composition as there is a view of the sea, the boat and at centre the sailor plays his accordion.


Restful days on-board the ‘Parma’
Reproduction ID: N61612
Maker: Alan Villiers
Date: 1932–33
Villiers collection

Sailors’ life, basking in the sun. This photograph is beautifully composed, the basking men draw your eye in and you notice the men at the centre of the photograph.


Commercial Dock Pier
Reproduction ID: P27581
Maker: Waldo McGillycuddy Eagar CBE
Date: circa 1914
Eagar Collection

I love the photographer’s perspective, a peek into what happens down at the docks. I love the way the photo is ‘framed’ by the chains.

Our project participants have an external blog of their own charting this collaborative process at curatethecollection.wordpress.com