Royal Observatory Greenwich blog
Women at the ROG – Alice Everett
0
Date:
Author:
July 31st, 2009

Back in April we met Annie Russell Maunder, but she was not, in fact, the first woman to be paid for her work at Greenwich under Astronomer Royal William Christie’s new scheme. Russell’s friend Alice Everett (1865-1949) had begun work as a supernumerary computer almost two years earlier, in January 1890.

Like Russell, Everett had attended Girton College, Cambridge and took the Mathematical Tripos, which essentially made both women as well-qualified as the Chief Assistant, Frank Dyson, who began work in 1894. Before this Everett had also attended Queen’s College, Belfast, where she had taken first place in the first-year scholarship examination – causing the college authorities to question and decide against the eligibility of women in the competition.

At Greenwich, Everett was assigned to work in the Astrographic Department, contributing to the international Carte du Ciel project which aimed to map the skies using the still-new technique of stellar photography. Although her job-title was ‘computer’ (i.e. those who carried out routine calculations to ‘reduce’ raw observational data into usable tables), Everett was in fact trained to use the Observatory’s new astrographic telescope in order to take the photographs, as well as then measuring the plates, calculating the co-ordinates of the stars and reducing the data for the catalogue. She also made observations for the Transit Department with the Prime-Meridian-defining Airy Transit Circle. Everett necessarily worked at the ROG at night, though we don’t know whether she made her way through the park or stayed on-site when it was dark.

astrographic-telescope.JPG
The Royal Observatory, Greenwich’s astrographic telescope

Again like Russell, Everett was proposed but rejected for fellowship of the Royal Astronomical Society and instead found an outlet for her enthusiasm in the amateur British Astronomical Association, although she published in the Monthly Notices of the Royal Astronomical Society as well as in the BAA’s journal, The Observatory and elsewhere.

After five years at Greenwich, Everett moved to the observatory in Potsdam, Europe’s leading institution for astrophysical research, to continue work on the Carte du Ciel. This was only a temporary post, and after three years Everett was on the move again, this time for a year at the observatory of Vassar College. She failed to find another post in the USA and returned to London in 1900, where her interests turned to optics. She undertook a translation of a German optical text and carried out a number of experiments, but was unable to find regular paid work until the First World War, which gave many women an opportunity to enter the workforce. In 1917 she joined the staff of the National Physical Laboratory, where she remained until her retirement in 1925.

Even after retirement, Everett did not sit still. She took qualifications in electrical engineering and became involved with the Baird Television Company and Television Society, associations that were to last for the rest of her life. On her death in 1949 she left her library of scientific books to the Television Society.

For more information on and pictures of both these remarkable women, see Mary T. Brück, ‘Alice Everett and Annie Russell Maunder torch bearing women astronomers’.

Telescope stories: caught on film
0
Date:
Author:
July 2nd, 2009

As a great film fan, I’ve had enormous fun over the past couple of years trying to spot telescopes in the movies, and have been able to call it research for the book the Museum recently published on the history of the telescope.

As Seen.jpg
Pair of stills from ‘As Seen through the Telescope’

One of my favourite is an early film called As Seen Through the Telescope, directed in 1900 by George Albert Smith. It’s a simple tale in which a dodgy old man uses his telescope to have a good look at a couple across the street. It’s also interesting as an early example of action cut across successive shots, with the viewer sharing what he sees: the young man’s hands caressing the woman’s foot and ankle, shown within a circular mask to mimic the telescopic view. In case you’re worried, the voyeur doesn’t go unrewarded – at the end of the film the younger man punches him. Perhaps that’s why it was called L’astronome indiscret in France.

For those with time to spare, here are some of the telescopic films I’ve enjoyed:
Rear Window
– A classic Hitchcock which explores the ethical issues raised by our irrestistible urge to peek at our neighbours
A Short Film about Love – Krzysztof Kieslowski takes on the same issues with less laughs
Notorious – another great Hitchcock. Check out the scene at the races – a witty touch with the binoculars
Storm over Mont Blanc – Leni Riefenstahl falls in love with a meteorologist, saves his life and abandons her large telescope for the kitchen
Contact – Jodie Foster wrestles with science, faith and telescopic evidence
The Dish – you’ll believe a radio telescope can be a film star
Pirates of the Caribbean: At World’s End – not the greatest film, but it does use telescopes for some really unsophisticated humour

For those interested, I’ll be talking about some telescopic film stars in a couple of weeks at our conference, The Long View: 400 Years of the Telescope.